About Alastair Snow

ALASTAIR SNOW works across the UK as an artist, arts consultant and visual arts specialist.

He is a National Adviser to the Arts Council of Wales and a Specialist Adviser to the Scottish Arts Council. He was Senior Public Art Officer with Bristol City Council; Director of Cleveland Arts on Teesside; set up the Public Art Unit with Thamesdown Borough Council in Swindon; developed the visual and live art programme at South Hill Park Arts Centre in Bracknell. He was a member of the Panel of Assessors of the Scottish Arts Council and Arts Council of England National Lottery Funds; the Public Art Review steering group with the Arts Council of Wales; and a member of the steering group to advise the ‘Creating Places’ conference held at Tate Modern to profile the role of artist studio workspace provision in regeneration. He managed the PROJECT awards scheme across the UK with the Commission for Architecture and the Built Environment (CABE), Arts & Business and Public Art South West. He was a member of MADE’s international delegations to Berlin, Copenhagen and Malmo. He is a trustee of Arnolfini in Bristol, a director of [a-n] the artists information company and a member of the Academy of Urbanism.

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2010

The National Review of Live Art, Glasgow 17-21 March 2010 www.newmoves.co.uk Invited programme 2010 Alastair Snow 11am Wednesday 17th March, CCA Cinema, Sauchiehall Street, Glasgow Day tickets from The Arches Box Office 0141 565 1000 We have preferred silent slipways to the riveters’ wit. (Edwin Morgan Glasgow Sonnets 5) In this artist’s talk and performance, pitched somewhere between retrospection and review, Alastair Snow aims to complement works in the public realm, with steel and stewardship via inheritance, fate and intervention. He devised the Guerrilla Squad as a remarkable concept in concussed percussion which performed at the National Review of Live Art in London in 1987 and at the Glasgow Garden Festival in 1988. The presentation is dedicated to John Davidson Wishart, steel smelter, born in Glasgow in 1893 and who worked with Tata Iron & Steel Co. Ltd. Bombay, India. It honours also three crewmen who died on the fire-tug The Flying Phantom which capsized in 2007 after running aground in the river Clyde.

Renewal of appointment as a Specialist Adviser with the Scottish Arts Council.
Review of PAR+RS – Public Art Resource and Research Scotland.

Contract award from Wiltshire Council to provide a strategic service for public art development 2010-2011.

Appointed artistic assessor with Arts Council England:
Eva Hesse: Studiowork Camden Arts Centre, London
Melanie Nanchot: Celebration (Cyprus Street) Whitechapel Gallery, London

St Helens Council Towards a new Arts Strategy for St Helens 2010-2014
Speaker: Place-making and the economy: Art and design in the built environment

 

2009

Conference Chair, Invernessian Clanjamfrey presented by IOTA Inverness Old Town Art with Matt Baker, Rev. Peter Nimmo, Philomena de Lima, Sam Harrison, Claudia Zeiska, Jan Hogarth, Rugh MacDougall and Neville Gabie.

Illustrated talk on Mark Wallinger to accompany The Russian Linesman exhibition at Glynn Vivian Art Gallery, Swansea. Photo – Brian Haw, peace campaigner, Parliament Square 4.7.2009

Consultant to Regeneration & Renewal Magazine (13.04.09) re: The Art of Commerce, exhibition of artworks in vacant shopfronts in Dursley, Gloucestershire. Project managed by Vicky Hancock, Town Centre Management, Stroud District Council; reviewed in association with Adam Branson, Features Editor, Regeneration & Renewal Magazine.

Invited to become an Academician with The Academy of Urbanism.

CABE Urban Design Summer School, Bristol June 2009
Speaker: Urban Design and Public Art

Public Art development with Aberdeenshire Council

Independent member of interview panel for a new Public Art Officer post. Curator and speaker, Public Art Seminar, Inverurie 07.05.09. With Area Managers and officers from Planning & Environmental Services; Housing & Social Work; Education, Learning & Leisure; Transportation & Infrastructure; Community Planning; Legal & Administration. Invited speakers: Tom Littlewood, Ginkgo Design; Simon Watkinson, artist; Stephen Tucker, Turley Associates, Director of Urban Design and Regeneration in Scotland.

Scottish Arts Council:

Assessment of visual arts flexible funding grant applications for 2009/10/11

Research paper to explore the potential benefits of developing supplementary planning guidance for public art, specific to Scotland and its’ planning system.

Exhibition evaluations:

Aernout Mik, Fruitmarket Gallery, Edinburgh;

Jerwood Photography Awards, Stills Gallery, Edinburgh;

Art Trek Artists, Project Ability, Glasgow;

Live Undead, Transmission Gallery, Glasgow;

Stephen Healy, Street Level Photoworks, Glasgow.

Andrew Grassie, Talbot Rice Gallery, Edinburgh

Janet Cardiff and George Bures Miller, Fruitmarket Gallery, Edinburgh

The Golden Record, Collective Gallery, Edinburgh

The Martha Rosler Library, Stills Gallery, Edinburgh

Hayley Tompkins, Inverleith House, Edinburgh

Glasgow Print Studio, Royal Society of Arts, Edinburgh

New Commissions, Edinburgh Printmakers

Paint Can, Travelling Gallery

Jane and Louise Wilson, Talbot Rice Gallery, Edinburgh

Joachim Koester, Stills Gallery, Edinburgh

2008

Facilitator with artists, staff and trustees of Spike Island, Bristol re: governance/studio provision

Facilitator with artists, staff, trustees and stakeholders of Fife Arts Co-operative re: governance issues

Visiting lecturer, Professional Practice, BA Fine Art, University of Teesside.

Speaker and facilitator re: Art in the Public Realm, Arts Commission, Guernsey

The Angel Symposium Alastair Snow chaired The Angel Symposium held at Baltic: The Centre for Contemporary Art in Gateshead in May 2008 to commemorate the 10th anniversary of the Angel of the North by Antony Gormley. The conference discussed the impact of the Angel in the northern region, nationally and internationally and the effect of public art on regional culture, economy and politics. Right: The Angel of the North by Antony Gormley, commissioned by Gateshead Council
Magical Mysterious Regeneration Tour, Liverpool Fellow traveller in the Magical Mysterious Regeneration Tour. Artists, Architecture and the Future of the City. June 2008 Right: Turning the Place Over by Richard Wilson. Liverpool Biennale

Royal Town Planning Institute - Planning Summer School 2008 Alastair Snow presented an illustrated paper entitled Public Art Policy and Projects at the Elected Members Planning Summer School held at the University of St Andrews 29 August to 2 September. Summer School meets at a UK university each September and is a training and networking event for councillors involved in the planning process. It is anticipated that up to 250 elected members will attend from England, Northern Ireland, Scotland and Wales with representatives from county, district, community and parish councils. www.planningsummerschool.org Right: letter head graphic from Planning Summer School

Art and Islands Conference, Guernsey Alastair Snow chaired the Art and Islands conference in Guernsey on the 23 and 24 September 2008 organised by the International Artist in Residence Programme, Guernsey College of Further Education, HSBC Private Bank, Garenne Group and Carey Olsen. www.iairp.com With speakers Professor Colin Renfrew, University of Cambridge; Los Angeles based artist Deborah Aschheim; Maaretta Jaukkuri, curator from Finland; Dr. Ihor Holubizky, art and cultural historian, Prince Edward Island, Canada; Professor Bruce Ferguson, former Dean to the School of Arts at Columbia University USA; Dr.Godfrey Baldacchino, Geographer working in Canada and Malta; Natalie Melton, Commercial Director, Arts & Business; Nick Ewbank, Director of The Creative Foundation, Folkestone; Simon Claridge, Dean of the Faculty of Creative and Cultural Industries, University of Portsmouth; David Prichard, architect and urban designer; Ray Yeats, Actor and Director of Axis arts and community resource centre in Dublin; Virginie Pringuet curator of the Estuaire project in Nantes, France; and artist Antony Gormley.

100%sustainable? Chair and facilitator of round-table discussion 100%sustainable? at 100%design Earls Court, London, September 2008. Development towards a sustainable future sets new parameters for design. What are these new parameters? How can we respond to them creatively? What role can design play in development towards a sustainable future? How can the design community respond to these challenges? With Belinda McGahey an associate with BDP specialising in sustainable urban regeneration. Richard Buckingham leads BDP’s sustainability team in London advising clients on green policies and standards. Steve Runicles is an environmental and sustainability designer with BDP. Jonathan Chapman co-directs the IF:Laboratory at the University of Brighton. Tom Ainsworth is a designer, art and design lecturer and research fellow at the University of Brighton. Alex Whitney works with Pli Design Ltd which began making bamboo/wood furniture in 2003. Paul Talbot, founder director of ten-to-four. Andre Vilhoen, architect, educator and author. Adam Fairweather, social entrepreneur, inventor and product designer. The design industry feels a certain amount of responsibility when it comes to sustainability. As the providers of the products that fuel consumerism, designers and manufacturers are honour bound to investigate the ways in which their industry can best serve the international campaign to halt environmental damage. David Begg, founder and CEO of Tom Dixon		www.jamesplantdesign.com
What's That Coming Over the Hill? Chair: What’s That Coming Over the Hill?  Placing Art in the Public Realm Cornwall Visual Arts Forum, Tate St Ives, Cornwall, November 2008 with Matt Hearn, Project Manager with Locus+ and artists Graham Gussin and Dave Beech. Upper right: Graham Gussin, Illumination Rig Commissioned by Locus+ www.locusplus.org.uk Lower right: Dave Beech, Flags www.dave.beech.clara.net

2007

Contributor to publication Open space, art in the public realm in London 1995-2005

Participant in Building Cultures A Manifesto of Possibilities, Birkbeck College, University of London

Speaker, public art seminar, Shape Cambridge

Speaker, Art in the Built Environment Symposium, Art Gene, Barrow in Furness, Cumbria

Keynote presentation at website launch of the Creative Learning Agency

Consultant to South Gloucestershire Council, review of public art policy and delivery

Consultant to Fife Council, review of public art policy and planning advice note for Fife

Public Art Planning Statement, Oceanique Development Plymouth, for Devington Homes

Speaker, Design & Planning The New Agenda, Bournemouth Borough Council

Speaker, Making a Case for Public Art, Eastleigh Borough Council

Speaker, Bath Area Network for Artists re: visual arts funding

Appointed a member of the Bristol Urban Design Forum

 

1968-2006

1968-71 King Alfred’s College of Education, Winchester; Certificate of Education (Distinction)

1971-74 Art teacher, The Kings School, Winchester

1974-75 Head of Art, Spendlove School, Charlbury, Oxfordshire

1975-78 West Surrey College of Art and Design; BAHons Fine Art, Art History (Commendation)

Above: Do you see yonder cloud that’s almost in shape of a camel? Hamlet, Prince of Denmark to Polonius, Act 3 scene 2, William Shakespeare 1603

Above: Kim Creighton and Paul Burwell, 2nd International Festival of Performance, South Hill Park 23 June 1984; photo: Jim Harold

1978-84 Visual Arts Officer, South Hill Park Arts Centre, Bracknell

1984-89 Public Art Officer, Thamesdown Borough Council, Swindon

1988 International Artists Exchange with the Gulbenkian Foundation, Lisbon, Portugal

Julie Livsey (UK) Maria Felizol (Portugal)

1985-89 Member of the Visual Arts Panel, Southern Arts

Member of the Live Art Panel, Arts Council of Great Britain

Member of the Public Art Forum

1989-93 Director of Cleveland Arts; International Artist Residencies with Takashi Ikezawa (Japan) Vivan Sundaran (India) Hanna Luczak (Poland) Graham Crowley (UK) in 1993

1991- A director of [a-n] the Artists Information Company; chair 1996-2001

1992-94 A director of Northern Arts

1993-01 Self employed art consultant; see Clients and Projects

1997-99 A director of Saltburn Improvement Company

1998-99 A director of Saltburn Artists Projects

1999-00 Mentor with the Gleam Programme, Durham University Business School

2000-01 Member of Resider/CED Group, Virtual Reality Centre, University of Teesside

2001-04 Senior Public Art Officer, Bristol City Council

2004-06 Scheme Manager, PROJECT Awards Scheme for artists run in association with CABE,

Arts&Business, Public Art South West; in England, Northern Ireland, Scotland, Wales.

2006 Consultant to City Centre Projects and Urban Design, Bristol City Council